F. Scott Fitzgerald’s classic American novel The Great Gatsby is my favorite book, so my love for the source material did not increase my anticipation for Baz Luhrmann’s adaptation. As evident from the director’s prior works, Romeo + Juliet, and Moulin Rouge, Luhrmann is a filmmaker with more of an appreciation for visual congruence than narrative congruence. My feelings were not eased by the fact that Jay Z produced the soundtrack with such contemporary artists such as Gotye (despite my appreciation for his music), Lana Del Rey, Fergie, will.i.am, and more—none of which being appropriate for a film taking place in the 1920’s jazz era. Despite all the red flags, I ended up seeing the film against my better judgment.
Saturday, May 4, 2013
This isn’t what I wanted, and this wasn’t what I was promised. Allow me to begin by telling you that this film is an elaborate troll. Ever since the promotional campaign for this film began, it has all been culminating to the biggest troll moment in the Marvel Cinematic Universe thus far. We were promised the darkest, grandiose installment to the Iron Man series thus far to conclude the trilogy with a bang. Most trilogies do promise this, and even if the films themselves aren’t good (Spider-Man 3, The Dark Knight Rises), they at least knew not to go out on a whimper.